《Christopher Tyler Nickel: Mass & Te Deum》全明星阵容 – 96kHz/24bit圣咏声穹·重构现代宗教音乐的声音建筑 [母带级FLAC]

这是一次用96kHz/24bit母带精度建造的「声学神圣空间」！克里斯托弗·泰勒·尼克尔现代宗教作品通过全明星阵容完成声音的神学重构——弥撒曲的复调结构呈现哥特建筑的声学拱顶，Te Deum的赞美诗篇测量信仰能量的光谱分布，现代和声技法则解构传统与创新的神学对话。母带级FLAC格式精准捕获神圣声场的物理奇迹：管风琴声管的气流神圣几何，合唱团声波形成的共振穹顶，以及传统圣咏与现代作曲在空间中的量子纠缠。整部作品成为可聆听的宗教建筑，每个乐章都是测量现代宗教音乐表现力的声学标尺。

Christopher Tyler Nickel: Mass & Te Deum
Catherine Redding | Vancouver Contemporary Orchestra | Vancouver Chamber Choir | Clyde Mitchell | Kari Turunen

FLAC|96kHz/24bit
专辑价格: ¥128
专辑下载
规格: 11 首
流派: 古典乐
类别: 其他
发布: 2025-09-13
公司: AVIE Records
简介

1. Mass: I. Kyrie (Andante)
2. Mass: II. Gloria (Brightly)
3. Mass: III. Domine Deus (Andante)
4. Mass: IV. Credo (Adagio)
5. Mass: V. Sanctus (Solemn)
6. Mass: VI. Benedictus (Solemn)
7. Mass: VII. Agnus Dei (Lento)
8. Te Deum: I. Te Deum laudamus (Andante)
9. Te Deum: II. Tu Rex gloriae (Andante)
10. Te Deum: III. Salvum fac populum tuum (Andante con moto)
11. Te Deum: IV. Miserere nostri (Grave)

Award-winning Canadian composer Christopher Tyler Nickel adds to his impressive catalogue of large-scale liturgical works with a double-bill featuring his Mass and Te Deum, composed concurrently and completed in 2022. As with previous works – including Requiem, and the seven-hour long oratorio The Gospel According to Mark – Chris’ spirituality infuses his music with melancholy and meditative qualities. Haunting intimacy, a predilection for chant-like melodies and allusions to Medieval music, and plangent orchestral colours, give these two new sacred works a feeling of timelessness.

Listeners will recognise Chris’ penchant for unusual combinations of instruments – a quartet from the oboe family in both works, with the lesser heard oboe d’amore and bass oboe alongside oboe and cor anglais; and a pair of Wagner tubas in the Mass.

Chris once again collaborates with soprano Catherine Redding, the Vancouver Chamber Choir and Vancouver Contemporary Orchestra under the baton of Clyde Mitchell – who on previous releases of Chris’ music have delivered “emotionally stirring performances” (The WholeNote).

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