prefix-1prefix-2Louis Frémaux《The Complete CBSO Recordings(伯明翰市立交响乐团完整录音集)》| FLAC 96kHz/24bit 古典交响高解析收藏版专辑

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《The Complete CBSO Recordings》是指挥家 Louis Frémaux 与伯明翰市立交响乐团(CBSO)的经典录音合集,涵盖贝多芬、 Brahms、德沃夏克等古典主义至浪漫主义时期的核心交响作品,集中展现二者数十年合作的默契 ——Frémaux 以细腻严谨的指挥风格,既还原古典作品的结构美感,又赋予浪漫派曲目充沛的情感张力;CBSO 则以精准的声部配合、饱满的音色,完美呈现指挥的诠释意图。

专辑采用 FLAC 96kHz/24bit 高解析格式呈现,能完整还原交响乐团的声部层次(如弦乐群的丝滑过渡、铜管的浑厚张力、木管的明亮质感)与录音细节(如音乐厅自然混响、乐器定位),无压缩特性保留古典交响的动态范围,既适合深度聆听,也具备极高的收藏价值,推荐给古典乐迷、交响音乐爱好者及高解析音质追求群体。

The Complete CBSO Recordings
Louis Frémaux

FLAC|96kHz/24bit
专辑价格: ¥668
专辑下载
规格: 162 首
流派: 古典乐
类别: 其他
发布: 2017-10-09
公司: Warner Classics
简介
“This 12-CD set assembles, for the first time, all the recordings that the French conductor Louis Frémaux made (for EMI) with the City of Birmingham Symphony Orchestra during his tenure as its Principal Conductor (1969-1978). These recordings helped to build the CBSO’s international reputation before the arrival of Simon Rattle as its Principal Conductor in 1980. This 12-CD set joins Warner Classics’ Icon series, which pays homage to some of the greatest recording artists of the recent past. The box is devoted to the French conductor Louis Frémaux, who, from 1969 to 1978, preceded Simon Rattle as Principal Conductor of the City of Birmingham Symphony Orchestra. For the first time, it assembles all the recordings that Frémaux and the CBSO made for EMI. Over the course of the 1970s their discography played a substantial role in building the orchestra’s international reputation before the arrival of Rattle as its Principal Conductor in 1980. Indeed, such was the orchestra’s prowess in the French music favoured by Frémaux that, in 1978, Rattle described the CBSO as “the best French orchestra in the world”. Louis Frémaux, now 95, was born in northern France. He attended the conservatory of Valenciennes, but his studies were interrupted by World War II. Too young to join the army, he became involved in the Resistance, and at the end of the War he joined the French Foreign Legion, serving in Vietnam. In 1947 he entered the Paris Conservatoire, where he studied conducting with Louis Fourestier, going on to win the institution’s first prize for conducting in 1952. He launched his recording career with the Erato label, and a notable success was the Requiem by the Baroque composer Jean Gilles, which won the Grand Prix du Disque in 1956, the year Frémaux began his nine-year tenure as Chief Conductor of the Monte Carlo Opera Orchestra. He first conducted the City of Birmingham Symphony Orchestra in 1968 and became its Principal Conductor the following year. The CBSO’s history had been somewhat chequered, despite attracting such principal conductors as Adrian Boult and Andrzej Panufnik, but Frémaux groomed the orchestra, taking it to a new level. While the team gained special renown for its performances of French repertoire, it also sustained a strong reputation in the works of modern British composers. The vast majority of this Icon set is devoted to French music: Berlioz (notably the Grande Messe des Morts, the first recording project of the CBSO Chorus, which Frémaux established in 1973); Massenet; Bizet (including his rarely-heard symphonic suite Roma); Lalo; Saint-Saëns (including the Symphony No 3, a work closely associated with Frémaux); Fauré (the Requiem); Chabrier; Debussy; Dukas; Ravel; Ibert (whose music occupies almost an entire CD); Honegger; Poulenc (the Gloria, Piano Concerto and Les Biches) and Satie. The British-born composers featured are: Litolff; Walton (who occupies an entire CD, dominated by the two Façade suites), and John McCabe (1939-2015), whose Notturni was premiered by Frémaux and the CBSO in 1970.

Appearing for the first time on CD is a selection of arias by Leoncavallo, Puccini, Bizet, Sullivan, Lehár and Johann Strauss II, sung in English by the tenor by the Birmingham-born tenor David Hughes (1929-1972), who, before turning to opera, had enjoyed success as a popular singer; the arias are complemented by overtures by Offenbach. Other soloists appearing on the set include tenor Robert Tear, cellist Paul Tortelier and pianists John Ogdon and Cristina Ortiz.

  1. Grande Messe des morts, Op. 5, H. 75 I. Requiem et Kyrie (Introitus)
  2. Grande Messe des morts, Op. 5, H. 75 II. Dies Irae – Tuba mirum
  3. Grande Messe des morts, Op. 5, H. 75 III. Quid sum miser
  4. Grande Messe des morts, Op. 5, H. 75 IV. Rex tremendae majestatis
  5. Grande Messe des morts, Op. 5, H. 75 V. Quaerens me
  6. Grande Messe des morts, Op. 5, H. 75 VI. Lacrymosa
  7. Grande Messe des morts, Op. 5, H. 75 VII. Offertorium
  8. Grande Messe des morts, Op. 5, H. 75 VIII. Hostias
  9. Grande Messe des morts, Op. 5, H. 75 IX. Sanctus
  10. Grande Messe des morts, Op. 5, H. 75 X. Agnus Dei
  11. Le Carnaval romain, Op. 9, H. 95 Overture
  12. Tristia Op. 18, H. 119 III. Marche funèbre pour la dernière scène d’Hamlet, H. 103
  13. La Damnation de Faust, Op. 24, H. 111 I. Marche hongroise
  14. La Damnation de Faust, Op. 24, H. 111 II. Danse des sylphes
  15. La Damnation de Faust, Op. 24, H. 111 III. Menuet des follets
  16. Benvenuto Cellini, H. 76b Grande Ouverture
  17. Les Troyens, Op. 29, H. 133, Act 4 No. 29 Chasse royale et orage
  18. Les Troyens, Op. 29, H. 133, Act 1 No. 11 Marche troyenne
  19. Le Cid I. Castillane
  20. Le Cid II. Andalouse
  21. Le Cid III. Aragonaise
  22. Le Cid IV. Aubade
  23. Le Cid V. Catalane
  24. Le Cid VI. Madrilène
  25. Le Cid VII. Navarraise
  26. Suite No. 4, Scènes pittoresques I. Marche
  27. Suite No. 4, Scènes pittoresques II. Air de ballet
  28. Suite No. 4, Scènes pittoresques III. Angélus
  29. Suite No. 4, Scènes pittoresques IV. Fête bohême
  30. La Vierge Le Dernier Sommeil de la Vierge
  31. Roma, WD 37 I. Une chasse dans la Forêt d’Ostie – Andante tranquillo – Andante
  32. Roma, WD 37 II. Scherzo – Allegretto vivace
  33. Roma, WD 37 III. Une procession – Andante molto
  34. Roma, WD 37 IV. Carnaval à Rome – Allegro vivacissimo
  35. Symphonie espagnole in D Minor, Op. 21 I. Allegro non troppo
  36. Symphonie espagnole in D Minor, Op. 21 II. Scherzando
  37. Symphonie espagnole in D Minor, Op. 21 III. Intermezzo (Allegretto non troppo)
  38. Symphonie espagnole in D Minor, Op. 21 IV. Andante
  39. Symphonie espagnole in D Minor, Op. 21 V. Rondo (Allegro)
  40. Cello Concerto in D Minor I. Prélude – Lento – Allegro maestoso
  41. Cello Concerto in D Minor II. Intermezzo – Andantino con moto
  42. Cello Concerto in D Minor III. Introduction – Andante – Allegro vivace
  43. Cello Concerto No. 1 in A Minor, Op. 33 I. Allegro non troppo
  44. Cello Concerto No. 1 in A Minor, Op. 33 II. Allegretto con moto
  45. Cello Concerto No. 1 in A Minor, Op. 33 III. Allegro non troppo
  46. Symphony in C Major, WD 33 I. Allegro vivo
  47. Symphony in C Major, WD 33 II. Adagio
  48. Symphony in C Major, WD 33 III. Scherzo – Allegro
  49. Symphony in C Major, WD 33 IV. Finale – Allegro vivace
  50. Symphony No. 3 in C Minor, Op. 78, Organ I. Adagio – Allegro moderato
  51. Symphony No. 3 in C Minor, Op. 78, Organ II. Poco adagio
  52. Symphony No. 3 in C Minor, Op. 78, Organ III. Allegro moderato – Presto
  53. Symphony No. 3 in C Minor, Op. 78, Organ IV. Maestoso – Allegro
  54. Concerto Symphonique No. 4 in D Minor, Op. 102 II. Scherzo
  55. Requiem, Op. 48 I. Introit et Kyrie
  56. Requiem, Op. 48 II. Offertoire
  57. Requiem, Op. 48 III. Sanctus
  58. Requiem, Op. 48 IV. Pie Jesu
  59. Requiem, Op. 48 V. Agnus Dei
  60. Requiem, Op. 48 VI. Libera Me
  61. Requiem, Op. 48 VII. In Paradisum
  62. Cantique de Jean Racine, Op. 11
  63. Ballade, Op. 19
  64. Le Carnaval des animaux, R. 125 I. Introduction et Marche royale du lion
  65. Le Carnaval des animaux, R. 125 II. Poules et coqs
  66. Le Carnaval des animaux, R. 125 III. Hémiones (ou Animaux véloces)
  67. Le Carnaval des animaux, R. 125 IV. Tortues
  68. Le Carnaval des animaux, R. 125 V. L’éléphant
  69. Le Carnaval des animaux, R. 125 VI. Kangourous
  70. Le Carnaval des animaux, R. 125 VII. Aquarium
  71. Le Carnaval des animaux, R. 125 VIII. Personnages à longues oreilles
  72. Le Carnaval des animaux, R. 125 IX. Le Coucou au fond des bois
  73. Le Carnaval des animaux, R. 125 X. Volière
  74. Le Carnaval des animaux, R. 125 XI. Pianistes
  75. Le Carnaval des animaux, R. 125 XII. Fossiles
  76. Le Carnaval des animaux, R. 125 XIII. Le Cygne
  77. Le Carnaval des animaux, R. 125 XIV. Final
  78. Le Carnaval des animaux, R. 125 XIII. Le Cygne
  79. 6 études, Op. 52 No. 6 Caprice, d’après l’étude en forme de valse (Arr. E. Ysa?e for Violin and Orchestra)
  80. Le Déluge, Op. 45 Prélude
  81. Wedding Cake in A-Flat Major, Op. 76
  82. Allegro appassionato in B Minor, Op. 43
  83. Danse macabre, Op. 40
  84. Espa?a
  85. Prélude à l’après-midi d’un faune, L. 86
  86. L’Apprenti sorcier
  87. Boléro, M. 81
  88. Divertissement I. Introduction – Allegro vivo
  89. Divertissement II. Cortège – Moderato molto – Animato subito
  90. Divertissement III. Nocturne – Lento
  91. Divertissement IV. Valse – Animato assai
  92. Divertissement V. Parade – Tempo di marcia
  93. Divertissement VI. Finale – Quasi cadenza – Vivo (Tempo di galop)
  94. Symphonie marine
  95. Bacchanale
  96. Louisville-concert
  97. Bostoniana
  98. Pacific 231, H. 53
  99. Gloria, FP 177 I. Gloria in excelsis deo
  100. Gloria, FP 177 II. Laudamus te
  101. Gloria, FP 177 III. Domine Deus
  102. Gloria, FP 177 IV. Domine fili unigenite
  103. Gloria, FP 177 V. Domine Deus, Agnus Dei
  104. Gloria, FP 177 VI. Qui sedes ad dexteram Patris
  105. Piano Concerto, FP 146 I. Allegro assai
  106. Piano Concerto, FP 146 II. Andante con moto
  107. Piano Concerto, FP 146 III. Rondeau à la fran?aise – Presto giocoso
  108. Les Biches, FP 36b I. Rondeau – Très lent – Subito allegro molto
  109. Les Biches, FP 36b II. Adagietto
  110. Les Biches, FP 36b III. Rag-Mazurka – Presto
  111. Les Biches, FP 36b IV. Andantino
  112. Les Biches, FP 36b V. Final – Presto
  113. 3 Gymnopédies (Orch. Debussy) No. 1 Lent et grave
  114. 3 Gymnopédies (Orch. Debussy) No. 3 Lent et douloureux
  115. Fa?ade, Suite No. 2 No. 1 Fanfare
  116. Fa?ade, Suite No. 2 No. 2 Scotch Rhapsody
  117. Fa?ade, Suite No. 1 No. 2 Valse
  118. Fa?ade, Suite No. 1 No. 4 Tango-Pasodoble
  119. Fa?ade, Suite No. 1 No. 3 Swiss Jodelling Song
  120. Fa?ade, Suite No. 2 No. 3 Country Dance
  121. Fa?ade, Suite No. 1 No. 1 Polka
  122. Fa?ade, Suite No. 2 No. 4 Noche espagnole
  123. Fa?ade, Suite No. 2 No. 5 Popular Song
  124. Fa?ade, Suite No. 2 No. 6 Old Sir Faulk
  125. Fa?ade, Suite No. 1 No. 5 Tarantella – Sevillana
  126. Gloria
  127. Orb and Sceptre
  128. Coronation Te Deum
  129. Crown Imperial
  130. The Wise Virgins I. What God Hath Done Is Rightly Done – Vivace assai (from Was Gott tut, das ist wohlgetan, BWV 99)
  131. The Wise Virgins II. Lord, Hear My Longing
  132. The Wise Virgins III. See What Love Can Do
  133. The Wise Virgins IV. Ah! How Ephemeral
  134. The Wise Virgins V. Sheep May Safely Graze
  135. The Wise Virgins VI. Praise Be To God
  136. Notturni ed alba I. Hymnus Ante Somnum – Andante
  137. Notturni ed alba II. Phantoms – Vivo
  138. Notturni ed alba III. Te Vigilans Oculis – Lento
  139. Notturni ed alba IV. Somnia – Agitato
  140. Notturni ed alba V. Alba – Lento
  141. Symphony No. 2 I. Vivo
  142. Symphony No. 2 II. Andante
  143. Symphony No. 2 III. Allegrissimo
  144. Symphony No. 2 IV. Lento
  145. Symphony No. 2 V. Vivo
  146. Pagliacci, Act 1 To act!… On with the motley (Recitar!… Vesti la giubba) [Canio]
  147. La Bohème, Act 1 Your tiny hand is frozen (Che gelida manina) [Rodolfo]
  148. Carmen, WD 31, Act 2 See how the flower (La fleur que tu m’avais jetée) [Don José]
  149. La Jolie Fille de Perth, WD 15, Act 2 Hear the voice (à la voix d’un amant fidèle) [Smith]
  150. Tosca, Act 3 When the stars were brightly shining (E lucevan le stelle) [Mario Cavaradossi]
  151. Turandot, Act 3 None shall sleep tonight (Nessun dorma) [Calaf]
  152. The Gondoliers, Act 2 Take a pair of sparkling eyes (Marco)
  153. Paganini, Act 2 Girls were made to love and kiss (Gern hab’ ich die Frau’n geküsst) [Paganini]
  154. Frasquita, Act 2 When the moon is shining white (Hab’ ein blaues Himmelbett) [Frasquita]
  155. Frederica, Act 2 O maiden, my maiden (O M?dchen, mein M?dchen) [Friederike]
  156. Eine Nacht in Venedig, Act 1 Love, I am here (Komm’ in die Gondel) [Duke]
  157. The Land of Smiles, Act 2 You are my heart’s delight (Dein ist mein ganzes Herz!) [Sou-Chong]
  158. Orphée aux enfers Overture
  159. La Grande Duchesse de Gérolstein Overture
  160. La Belle Hélène Overture
  161. Barbe-Bleue Overture
  162. La Vie parisienne Overture
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Louis Frémaux《The Complete CBSO Recordings(伯明翰市立交响乐团完整录音集)》| FLAC 96kHz/24bit 古典交响高解析收藏版专辑-26°HiFi
prefix-1prefix-2Louis Frémaux《The Complete CBSO Recordings(伯明翰市立交响乐团完整录音集)》| FLAC 96kHz/24bit 古典交响高解析收藏版专辑
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