Prokofiev《Sonates pour flûte et piano》| Ariane Brisson/Philip Chiu FLAC 96kHz/24bit 专辑

作为普罗科菲耶夫（Sergei Prokofiev）室内乐创作的标志性作品，《Sonates pour flûte et piano（长笛与钢琴奏鸣曲）》以古典结构与现代音乐张力的融合，成为 20 世纪长笛室内乐的经典范本。此次由长笛演奏家 Ariane Brisson 与钢琴家 Philip Chiu 联合诠释，以FLAC 96kHz/24bit 高解析格式呈现，精准还原作品的灵动与深邃。

专辑收录的奏鸣曲兼具严谨架构与现代韵律，旋律中既有明快跳脱的节奏，也不乏内敛深沉的抒情段落。Ariane Brisson 的长笛演绎清亮通透，无论是快速乐句的灵动颗粒感，还是慢板段落的绵长气息，都精准传递情绪；Philip Chiu 的钢琴伴奏与长笛形成默契呼应，以扎实和声支撑框架，细节处更显精妙对话，凸显室内乐 “乐器共鸣” 的核心魅力。

音频层面，FLAC 96kHz/24bit 格式带来显著听感升级：96kHz 采样率完整捕捉长笛的气声细节与琴弦振动的泛音余韵，24bit 比特深度让动态层次更分明 —— 从长笛极弱的高音泛音到钢琴低音区的厚重触键，每处演奏细节都纤毫毕现。无损格式保留了录音的空间质感，仿佛长笛与钢琴就在耳畔呈现，还原室内乐特有的细腻沉浸感。

无论是普罗科菲耶夫乐迷、古典室内乐爱好者，还是追求高解析音质的听众，这张专辑都是值得收藏的优质之选。

Prokofiev : Sonates pour flûte et piano
Ariane Brisson | Philip Chiu

FLAC|96kHz/24bit
专辑价格: ¥168
专辑下载
规格: 8 首
流派: 古典乐
类别: 其他
发布: 2025-07-28
公司: Les Disques ATMA Inc.
简介
01 Prokofiev_ Sonata for Violin and Piano No. 1 in F Minor, Op. 80 (Arr. Ariane Brisson for Flute and Piano)_ I. Andante assai
02 Prokofiev_ Sonata for Violin and Piano No. 1 in F Minor, Op. 80 (Arr. Ariane Brisson for Flute and Piano)_ II. Allegro brusco
03 Prokofiev_ Sonata for Violin and Piano No. 1 in F Minor, Op. 80 (Arr. Ariane Brisson for Flute and Piano)_ III. Andante
04 Prokofiev_ Sonata for Violin and Piano No. 1 in F Minor, Op. 80 (Arr. Ariane Brisson for Flute and Piano)_ IV. Allegrissimo – Andante assai, con prima
05 Prokofiev_ Sonata for Flute and Piano in D Major, Op. 94_ I. Moderato
06 Prokofiev_ Sonata for Flute and Piano in D Major, Op. 94_ II. Scherzo
07 Prokofiev_ Sonata for Flute and Piano in D Major, Op. 94_ III. Andante
08 Prokofiev_ Sonata for Flute and Piano in D Major, Op. 94_ IV. Allegro con brio
Booklet – Prokofiev _ Sonates pour fl?te et piano.pdf

Flutist Ariane Brisson and pianist Philip Chiu collaborate on a new disc devoted to two sonatas by Prokofiev.

The first of the two works is, in fact, Brisson’s arrangement of the Violin Sonata #1 in F minor. To the ear, this is unnoticeable, a sign that the work is well and meticulously done. The first movement is rooted in the lower registers of both instruments, and the sound of one blends well with the other, proving that we are dealing with two excellent chamber musicians. Piano accompaniment is an art, and Chiu has mastered it. The third movement gives the impression at times that this is a work by Shostakovich, who likes to isolate a wind instrument on a harmonic carpet in his symphonies.

The second part of the album is the sonata for flute and piano #1, contemporary with the first for violin. As in the previous opus, the chemistry between the two performers is evident in both articulation and musicality. Sometimes light-hearted, sometimes mischievous, sometimes dancing or reflective, this work brings out the full talent of Ariane Brisson, a musician whose merits need no further praise.

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